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Motion fills the gap nicely which AE had left open for some time - realtime fun! Guest Feb 13 I've worked with After Effects, Combustion and Flame for years.
But to say that this product is anywhere near ready for professional use is a stretch. Motion is buggy, and lacks numerous features when compared to competing products. The lack of time-remapping ability alone is confounding. Good luck at least with the ones worth having Wait until version 2.
Maybe version 3. Guest Dec 26 My best choice in so far: Motion. It fits perfect together with Final Cut 4. The only downside, I had to get rid of the old G4s, but this will help me get rid of legacies which in the end tend to cost more than moving on to new Macs! Among the most appreciated features in Motion are particles, full 10 bit support, Excellent interface; interactive playback; great particle system; extremely powerful behavior mechanism and last but not least a great price!!!
Video editors and motion-graphics pros wondered if Apple's new product would provide an alternative to their current compositing application, be it Adobe After Effects 6. The answer is no-the program is not an outright replacement for those far more expensive tools.
But after using Motion for just a few days, you may be surprised at how much of your compositing and graphics workload you will choose to move to this excellent new contender.
While Motion doesn't provide any features that the competition doesn't already handle, its combination of nearly real-time performance and a simple interface will cause animators, titlers, and compositors to take a serious look at its capabilities.
The program is so tightly integrated with Final Cut Pro HD that video editors who have been looking for a more powerful titling tool than the one built into Final Cut will find an excellent solution in Motion.
Guest Dec 14 From Apple: "Download the Motion 1. To take your Motion projects even further, you can download free effects, including five filters and one generator. You can also download additional tutorials to help you get the most out of Motion.
Dbesade84 Dec 13 Here is a couple tips for users with machines that are a bit long in the tooth. Guest Dec 12 Well, to say that Motion runs smoothly with MB is a lie, not a white lie, but a big one. Mac OS X v. Windows XP is no different in this regard.
And yes, it need a PowerMac Dual G5 to run fine and a good graphic card. Which one you need depends on which resolution you output. Working in a small resolution may work fine on a 17" PowerBook G4 I have one and I am writing this on the PB G4 right now , but it's not the right environment to do any kind of motion graphics effects on Motion 1. And couldn't imagine to work without Motion.
It's cool and it's addictive and it yields results unseen with any other app. Great, really awesome. Off course it's not as fast if I am working in large projects but if my old PowerBook can work in realtime at most stuff then why do you need a Dual G5 with nVidia GeForce Bob? Guest Dec 1 Buggy unreliable and will never begin to replace After Effects for a serious motion graphics artist. Stay away until v2 is released or you will be frustrated beyond belief.
Guest Aug 29 A real quantum leap for Motion Graphics! Finally at Siggraph it reached a final stage. Since last Friday 27th Aug I am working with it!!! It's just so incredible with a G4 or G5 with a ultra fast graphic card.
To say it's mind blowing wouldn't even come close to it!!! Otherwise if they try to just improve the existing AAE 6. I'll will never come back to After Effects this is already sure. Behaviours are so much cooler and easier to handle. Check it out!!! The hottest app since a very long time! Guest Aug 25 I can't believe it.
After so many sleepless nights with AAA, Motion rocks! You need power, power and more power under the hood, but this software will blow your mind away. Well, Adobe can't copy Motion easily. So it runs on OS X Adobe has keyframes, keyframes What a boring approach!!! It's the first time Apple can challenge Adobe. And Encore DVD is even in version 1. It's gonna be hot I can tell you.
Guest Aug 22 It has unusual and frustrating restrictions, like limiting text-on-a-path to only 3 curved points or a circle, and it lacks functions that are clearly important, like any kind of time-remapping or the ability to apply motion blur selectively instead of across the entire image as a frame-blend sort of effect which makes video look terrible.
The list of things that it doesn't have when compared to AfterEffects is quite substantial, and I wouldn't consider it any kind of susbstitute for AfterEffects at this point, even for simple projects. I haven't explored all of the software's features yet, of course, but in retrospect I would have waited until version 2 to buy.
Guest Jun 27 I too have worked with Atfer Effects for some years now and it's about time the Adobe had more competition. From what I've read and seen, Motion could be a worthy replacement. Well done Apple! Guest Apr 23 I've worked with After Effects for many years now. Guest Apr 22 Worked with it at NAB. It won't need a big CPU, but rather a high-end graphics card think Major leveraging of Open GL here.
Extremely cool. Price point means Motion will do for Apple softare what the iPd has done for Apple hardware. Show more. Similar apps. Adobe After Effects. Publish any parameter to a template, or create rigs that let you control a group of parameters with a simple slider, pop-up menu, or checkbox. If you set up templates with multiple aspect ratios, Final Cut Pro automatically uses the correct layout based on your footage.
Motion boasts an enormous ecosystem of third-party plug-ins and templates that complement the power of the app. Download tools for enhanced tracking and 3D object creation, or choose from thousands of templates with gorgeous titles, transitions, and effects to use as is or customize to fit your project.
Learn more about third-party products. Combine 3D objects, cameras, lights, and emitters with other complex elements, and view your results instantly. For even more stunning results, add cameras to a scene or combine objects with emitters, replicators, cameras, and more.
Add an eye-catching glow to any image, shape, or text element with the Neon Filter. Enhance the effect even more by animating its intensity with keyframes. Or combine the filter with tracking behaviors to make moving objects really shine. Create visual effects in the blink of an eye with Motion on the new Mac Studio. The media engine on M1 Max and M1 Ultra accelerates ProRes playback and export, freeing up the processing power for intensive tasks like rendering particle systems and adding complex behaviors.
Motion features a real-time design engine that lets you see your work immediately, along with a deep set of tools and content for creating and animating complex motion graphics. Control the timing and position of elements in your animation using intuitive keyframe tools. Use flexible curve interpolation for smooth parameter changes. Draw curves using a freehand tool, or move, stretch, and condense groups of keyframes using the Transform box.
Create natural-looking motion without the need for complex calculations using preset behaviors like Gravity, Throw, and Vortex. Use Text behaviors that animate letters, words, or lines across the screen. Or apply the Overshoot behavior to easily create spring-loaded animations. You can even combine behaviors for more advanced motion animations.
Create high-quality animated backgrounds with built-in generators — each with parameters to customize the look and style of the animation. Choose from a collection of standard shapes or unique designs.
All generators can be used as bump maps or textures on other objects — including 3D text. Easily create beautiful 2D and 3D titles that you can animate with drag-and-drop behaviors and intuitive text animation tools.
Create text using your favorite fonts and adjust its position, opacity, and rotation. Manipulate vector-based characters with pristine sharpness, and apply Text behaviors to add complex word and character animations easily. Motion is built on the CoreText engine, which ensures that glyphs, characters, and emoji render correctly every time. Build 3D titles from scratch, design them with easy-to-use templates, or instantly convert any existing 2D title to 3D.
Customize your 3D text with over 90 Apple-designed organic and artificial materials — or create your own — and see your results instantly. You can even choose from a variety of lighting rigs or create depth-of-field effects to give your titles an ultrarealistic look that matches the environment perfectly.
Quickly animate text on or off the screen by choosing from more than behaviors including Type On, Blur Out, and Text-on-a-Path, which sets your text in motion on a trajectory that angles, bends, or twists.
You can also create unique animations by moving letters just where you want them. With text generators you can automate tasks that would take hours to complete by hand. Count up and down in sequence, change text randomly, add a timecode sequence, and more. Use Credit Rolls to set up a scroll in just a few steps — even for long lists of production credits. Import a text file or type the credits directly into a Motion project, then use the Scroll behavior to automatically animate the speed of the credits based on your project length.
Just drag and drop to assemble impressive animations, with a choice of more than filters and effects built into Motion. Then fine-tune your work with precise controls. Use machine learning to automatically detect and track faces or objects within a clip.
Attach images, particles, filters, paint strokes, or text to create stunning visual effects and motion graphics. Use realistic particle systems to create effects including smoke and sparkles — or add dazzling details to any animation. Choose from over particle presets or design your own and see your creations in real time. Or, create stunning geometric patterns in 2D or 3D using replicators.
Go to the next level by adding 3D objects to both particle systems and replicators. Choose from over paintbrush presets or design your own using color gradients or QuickTime files. Create pressure-sensitive brushstrokes that paint gradient colors or particle dabs. And SmoothCam eliminates jitters and bumps — so it looks like your footage was shot on a tripod while still retaining camera moves like pans, tilts, and zooms.
Create an accurate chroma key in a single step with the easy drag-and-drop Keying filter. If the green- or blue-screen background in your footage is unevenly lit, you can use advanced controls, including an intuitive color wheel, to fine-tune adjustments.
- Motion on the Mac App Store
With the addition of its new metal-based processing engine, video editors will feel improvement in playback and accelerate graphics tasks including rendering, compositing, real-time effects, exporting, and more. You can also download Final Cut Pro Now users can create smart motion templates with simple controls that could be instantly published to Final Cut Pro X.
To deal with 2D and 3D compositions, it gives users full control to build stunning 2D and 3D compositions with more than Apple-designed elements. In 2D and 3D Titles editing, its rich library allows users to use basic templates to get started quickly or choose cinematic templates that include beautiful backgrounds and animations.
Users can easily animate text by choosing from more than text behaviors and start using them in their videos. Similarly, in motion tracking, it enables users to track a moving object in a video clip with the point tracking and match move feature. To put it briefly, Motion 5.
Click on the button given below to download Motion 5. It is a complete offline setup of Apple Motion 5. Skip to content. Cycling 74 Max 8 Free Download. MacDroid 1. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. However, you may visit "Cookie Settings" to provide a controlled consent. Cookie Settings Accept All. Manage consent. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website.
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Clip Connections keep secondary material in place while trimming and moving the Primary Storyline. Choose to hide or display Clip Connections in the timeline. Compound Clips allow complex compositions to be simplified into a single clip. Auditions combine multiple clips into a single clip to see alternative takes, color grades, or effects in context. Duplicate a clip inside an Audition for comparison of different effects on the same clip Edit while importing media in the background.
View material in Filmstrip or List view with a mini-filmstrip and metadata columns. Skimming functionality enables fast viewing of large amounts of material. Skimmable projects in Project Library enable viewing before loading. Mix frame sizes, frame rates, and formats in the same timeline up to 4K in real time. Edit at Create the correct project setting with the first edit. Insert, Overwrite, Replace, Append, and Connect with keystroke or drag and drop. Extend edit to Skimmer position.
Split edits with J and L cuts in the timeline. Top and Tail in a single keystroke for news and documentary editing. Timeline Index for timeline navigation and the selection of items based on text searches and other important metadata.
Position tool for moving and deleting media in the timeline and leaving gap. Clip Markers that include to-do items that can be checked off when tasks are completed Snapping to Playhead, Skimmer, Clips, and Markers. Replace with Gap Lift from Primary Storyline Create Storyline to consolidate B-roll into a single unit Insert Placeholder Insert Gap Numeric entry of precise clip durations Blade tool for adding edits High-quality, real-time vectorscopes, waveforms, and histograms Record Audio tool for adding narration Six Clip Appearance presets for timeline display Multi-Touch gesture support.
Inline Precision Editor allows skimming of media around the edit before trimming. Basic timeline trimming Trim tool for advanced timeline trimming functions Ripple and roll Slip and slide Lift and ripple delete Dynamic 2-Up trimming with Show Detailed Trimming Feedback enabled Keyboard and numeric moving and trimming. Shared Render Engine with Motion and Compressor Add multiple effects and transitions within a range selection. Numeric and keyframe control for precise animation and effects Copy and paste motion and effect attributes to multiple clips.
Subframe audio keyframing Support for audio samples up to kHz Real-time Mac OS X Audio Units and Logic plug-in effects included Support for bit third-party Audio Units plug-ins Keyframable audio levels and effects Adjust audio filters in real time during playback 5. Unique Color Board with controls for saturation, exposure, and color Match Color for precise shot matching in one click Balance Color instantly improves skin tones, removes color casts, and expands dynamic range of bright and dark regions of the image.
Keyframable masks with size, rotation, and softness adjustments Adjust inside or outside of color mask Unlimited numbers of color corrections per shot Save and reuse color settings presets 20 Color Board presets Over 20 advanced color Looks in the Effects Browser. Import Camera Archives from third-party video capture cards and software.
Import from Apple devices including iPhone, iPod touch, and iPad 2. Import projects and Events from iMovie. Content Auto-Analysis attaches useful metadata during import. Range-based keywords for creating custom searchable metadata Create Smart Collections for automatically organizing clips based on selected criteria.
Keyword Collection created by importing a folder of media Mark ranges as Favorites or Rejects for sorting and sifting. Media management tools for moving and copying media Render file deletion per project Move and Merge Events functions Consolidate Project Media for moving media to another system Extensive search, sort, and sift capabilities in the Event Browser Transcode Media function allows a choice between optimizing to ProRes or creating ProRes Proxy media in the background while editing.
Group clips by creation date, date imported, reel, scene, duration, or file type. Group Events by year or by year and month. Show date ranges in the Event Library. Arrange clips by name, take, or duration. Reveal clip in Finder or Event Browser. Custom comment fields Preference for connecting to proxy or original high-resolution media Send-to-Compressor integration. Related Articles. If you're having problems with Google search, you're not alone A fire at a Google data center in Iowa may have caused issues for Google and the Internet as a whole, with the tech giant encountering longer than usual search times and other issues starting late on Monday night, and carrying forward to Tuesday morning.
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